Here's a collection of vero (stripboard) and tagboard guitar and bass effect layouts that we have put together covering many classic and popular effects in growing numbers. Many of these have been posted on freestompboxes.org, so check that site out for great discussions on building your own effect pedals. Enjoy the builds and please also visit us on Facebook and Twitter
"The Knockout is a powerful two-filter combination that can make your Les
Paul sound like a Strat and your Strat sound like a Tele. Its
secret...the Knockout has a 7 pole filter for sculpting the low end of
your mids and a 6 pole filter to shape the top end of the mids. This
provides incredible tone shaping. Use after distortion to bring out the
heavy weight punch of the metal masters. The Knockout is also truly
amazing on Bass." Original FSB thread and schematic available here.
... and a layout with added Input & Output caps. (Will remove the one above later)
Couldn't really find a good description of this pedal other then it's a Fuzz-Wah produced in the 70's by Jen. Here's my take based on the schematic. Just like many of the other fuzz wahs I've seen and working on layouts for this is essentially a classic inductor wah with a fuzzface type fuzz. There's a few differences I've noticed compared to a lot of the others. First, there is no control over the amount of output of the fuzz, ie it's set. Second, unlike a lot of the others this one has the fuzz in front of the wah, instead of behind the wah. From the video I found of it, I'm defiantly digging the fuzz and think the component changes gives it a little something different that would be nice as a stand alone fuzz, and the wah has a nice sweep to it as well.
Quick Note: The fuzz should be wired in front of the wah.
The Colorsound Fuzz-Wah,
or to be exact the Colorsound Wow-Fuzz! A new version of a funk-tastic
old timer. The original 1970’s two transistor silicon distortion stage
delivers the fuzz and the classic inductor based Colorsound wah circuit
gives you the wow!
Ah, the inductor based circuit you say. Been awhile since Colorsound did
that, right? That’s right and who better to achieve time machine like
accuracy on such a wah circuit than monsieur Castledine of Castledine
Electronics fame. From the reproduction circuit board to the custom
wound vintage specification inductor, this is a genuine and bona fide
Colorsound wah in everyway. The huge soaring sweep, highs that level
mountain tops and low mids that sink ships. Fast reacting prono
soundtrack like cool, nothing chukka-wah’s like a Colorsound. Buddying
up along side this specially falvoured wah circuit we have the authentic
fuzz stage as featured in all the early Colorsound Fuzz-Wah’s. Voltage
feedback family ahoy. This transistorized silicon fuzz circuit is biased
for a smooth and mellow fuzz tone. Rich with heavy density that gels
perfectly into the wah stage once engaged. Independently switchable
stages. In other words one switch to engage each circuit. It may seem a
little odd at first having both mounted at the front of pedal but it
does work surprisingly well indeed. After a little bonding session with
the pedal it becomes quite easy to select the circuit you desire or even
engage/disengage both simultaneously. It is most certainly not rocket
science but a little introductory time is never a bad thing.
You want to use DPDT switches to turn each effect on and off, unless
you're going to put LEDs in to see what's on and off, and the wah comes
first in the circuit.
A quick note: The original transistors have a pinout of BCE top to bottom on the flat side, but since they can be rather pricey these days I decided to make the layout using the more common CBE pinout. So if you decide to hunt down the original transistors be aware that you will need to twist 2 of the pins. Not a big deal, but can be kind of annoying for those of us that are a little on the meticulous side.
Also, the description I posted is for the Sola Sound reproduction made by the captain. He switched the 5k trimmer to a 47k, so you can put a 50k no problem.