Dunlop Dunlop GBC-95 Modded Crybaby

For those that are just never satisfied by whats out there in the land of wahs I took the standard Dunlop GBC-95 Crybaby and added some features based on common mod points. So how's this supposed to work?

Voice Pot: Changes the voice of the the wah by changing the sharpness and making it more "vocal." The larger the value the more "vocal" the wah sounds.

Gain Pot: Really this controls the overall bass and gain of the wah. The lower the value the more growl and bass you'll get.

Sweep Switch (SW): This controls the sweep range of the wah. The larger the cap the more bass sweep you'll get. For instance the common value is 10nF, which i put on the board already, and the bass wah has a 68nF. Personally if I were making this I would start with the stock value and increase using values I liked up to the bass value, but hey, that's just me.

Sweep Pot: This will control the range of the week of the wah pot. No different then what you find on the Dimeback or Cantrell Wah.

R1: This will set the volume of the wah, the smaller the value the more volume you'll get. Typically it's 68k. So you can mess around with it and get as much or as little volume as you liked.

Mantic Effects Vitriol

Here is a layout for the Mantic Effects Vitriol, a variable high-gain distortion with low and high pass filters.
Thanks to Bobbass4k for creating a schematic.
You can find his original FSB thread here (should read it before you build it).
I've drawn 2 versions: the original and one with an added Mids control.

Dunlop DB-1 Dimebag Crybaby

The original Dimebag wah, not the newer one, which will take a while to get done cause the board is completely different and based on the newer Q535 crybaby.

Dunlop JC-95 Cantrell Signature Wah

From the source:

One of the most influential guitarists to come out of the Seattle rock scene, Jerry Cantrell's epic riffs and searing tone have been the driving force behind Alice in Chains since the late 80's. His melancholy wah-drenched melodies in modern classics like "Man in the Box" and "The Rooster" left an indelible mark on a generation of guitarists. Jerry favored wah-wahs with a wider, darker response, and Dunlop has painstakingly replicated that moody sound to create his signature pedal. It's custom-voiced for a tight, punchy heel-down tone and a rugged side-control knob lets you fine tune the toe-down frequency. And with its antique, oxidized "road worn" brass casting and custom Alice in Chains tread, this is one pedal that looks as great as it sounds.

Dunlop ZW-45 Wylde Wah Crybaby

Figured while i was at it, since there are a few signature wahs that are the based on the same board with a few changes, why not just make post a few other layouts.

First up the ZW-45 Wylde Wah.

From the source:

Modern Cry Baby Master Zakk Wylde and Dunlop have joined forces to deliver the toughest, meanest wah pedal on the planet. Built from the ground up with great tone and rugged durability in mind, this pedal can stand up to the crushing stomp of metal's reigning king of lead guitar. The Wylde Wah features a heavy-duty raw-metal casing and road worthy components to withstand years of ass-kicking abuse. With guts that have been finely tuned to Zakk's specs, this wah is specially voiced to deliver an extra thick and cutting tone.