Saturday, 9 September 2017

Onerr OVD-1 Overdrive

Schematic was recently posted at FSB (Thanks Manfred!), but there are couple small things i decided to tweak for this layout. For one, the original has 4558 dual opamp in the circuit with other half left hanging. This layout has 741 in its place and the transistors are with more common pinout. Nice singing overdrive circuit nevertheless.



Thursday, 7 September 2017

T-Rex Gristle King

Original FSB thread and schematic available here.


Saturday, 2 September 2017

Diezel VH4

"Unlike traditional overdrive stomp boxes, the VH4 Pedal is a true preamp which delivers an authentic representation of its namesake – real Diezel tone – not emulated, not modeled, but sincerely reproduced. The entire signal architecture is faithful to the original: Bass, Mid, Treble and variable Deep and Presence controls allow you to tailor the uniquely Diezel Overdrive character. The command found in the Gain control gives a player everything they will ever need with lower gain settings producing the classic Diezel sparkle and chime to saturated mid-gain sounds, to scorching Diezel leads by cranking it all the way up.
As close to the original VH4 preamp, the VH4 pedal can be used as either an overdrive or as a standalone preamp to feed into your amps power section. What players take away by going direct into the power amp is all the dynamic, unfiltered Diezel tone by simply plugging into your amplifiers clean channel. Two outputs are provided with the first intended to connect to the front of a guitar amplifier and the second allows for a connection to a line-level power amp or power section of your amp via the Effects Return."
Original FSB thread and schematic available here.
This is a buffered effect.
Follow the layout's footswitch wiring.


Sunday, 30 July 2017

Thursday, 27 July 2017

VOX MKIV Tonebender

Description of the MKIV origin from the captain.
 
The origins. Tone Bender MKIII, Tone Bender MKIV. Same party different frock. Aside from the obvious differences in the enclosure type of these pedals any true solid definition of which is what in regards to circuit type is and will always be a little bit of an ambiguous subject. The way I always made sense of it in my head was in regards to the biasing. The early MKIII's were choppy, heavy, clumsy, a fuzzy lump hammer. The later MKIV's were smooth, dynamic, articulate, a distorted boxing glove. In between, you have a foggy transitional period. Even with the those definitions in place it never always runs true.