Octave & Swell Switches Diagram:
Here's a collection of vero (stripboard) and tagboard guitar and bass effect layouts that we have put together covering many classic and popular effects in growing numbers. Many of these have been posted on freestompboxes.org, so check that site out for great discussions on building your own effect pedals. Enjoy the builds and please also visit us on Facebook and Twitter
Thursday, 14 January 2016
Prescription Electronics Experience
Here is the well known Prescription Electronics Experience, a Foxx Tone Machine with extra switchable Swell effect.
Octave & Swell Switches Diagram:
Octave & Swell Switches Diagram:
Zinky True Grit
Here is an overdrive pedal by Bruce Zinky, the creator of Smokey Amps.
Not great videos available at the moment.
Not great videos available at the moment.
Thursday, 7 January 2016
Black Arts Toneworks Black Sheep
Taken from Black Arts website.
In all of it’s throwback glory, the Black Sheep. Dirty, mean spirited and a blast to hang around with. You can’t help but feeling a bit dirty when you plug in.
Essentially it's a modded BeeBaa with an input cap selector like you see on the Black Arts Black Forest. One thing I will say is that if you notice in the demo videos the fuzz knob is never turned up to the max, that's because it will start to feedback on itself like a mother.
Different transistors change tone of the effect. I messed around with different ones, and settled on MPSA18. They tamed a bit of the metallic decay that I heard with the 2N5089.
In all of it’s throwback glory, the Black Sheep. Dirty, mean spirited and a blast to hang around with. You can’t help but feeling a bit dirty when you plug in.
Essentially it's a modded BeeBaa with an input cap selector like you see on the Black Arts Black Forest. One thing I will say is that if you notice in the demo videos the fuzz knob is never turned up to the max, that's because it will start to feedback on itself like a mother.
Different transistors change tone of the effect. I messed around with different ones, and settled on MPSA18. They tamed a bit of the metallic decay that I heard with the 2N5089.
Tags:
Black Arts,
Fuzz,
Verified
Tuesday, 5 January 2016
Switchable Onboard Power +9/+18V
Awhile ago I saw someone asking adding an +18V inverter to a board and the differences it made in some pedals, as well as what they need to do and worry about. Since there are more then a few people who have added an +18V inverter on a switch so they can switch between +9V and +18V, so I thought to myself, why not just whip up a quick layout to show how to do it for those that do not know.
Here's two that use an NE555 Chip
Here's two based on the 7660s/1044, based on the voltage doubler section of the madbean road rage voltage doubler section. schematic
Even though you can just run the +9V from the DC jack to SW1 and run that to the power in on the board, I don't like having multiple wires on a single lug of a switch so I made it so that you grab it form the board instead.
Here's two that use an NE555 Chip
Here's two based on the 7660s/1044, based on the voltage doubler section of the madbean road rage voltage doubler section. schematic
Sunday, 3 January 2016
Colorsound Supa ToneBender
From kitrae
THE COLORSOUND SUPA
TONEBENDER - By 1973 Sola was using the Colorsound brand on its pedals,
now built in wider "jumbo" sized enclosures. The Tone Bender was
upgraded and moved into this new enclosure. The Colorsound Supa
Tonebender (pronounced Super) featured a new Silicon transistor circuit
that had no relationship to the previous Germanium transistor Tone
Bender circuit at all. This new circuit was essentially a knockoff of
the Electro-Harmonix four-transistor Big Muff circuit, specifically a
1973 era Big Muff, now known as the violet Ram's Head.
Sonically these sound very different to a typical Big Muff due to one
minor change - the removal of the coupling caps and clipping diodes in
the first clipping stage. This made for a very loud, in your face Big
Muff sound. I have an early circuit board in
my Supa that actually includes through holes in the first clipping
stage for the missing cap and diodes, indicating Sola intended to
originally make a straight clone of a violet Big Muff, or possibly had
plans to do so later, but it does not appear any were made with the
complete components. There is also an extra .1µF cap in the tone section
and an extra capacitor added to the 9v for power filtering, not found
on the original violet BMP circuits.
I'm sure you can use pretty much any common Si transistor in this one, so you don't really need to hunt down BC184's. Verified using 2N5088 transistors
Tags:
Colorsound,
Fuzz,
Verified
Subscribe to:
Posts (Atom)








