Tuesday, 23 May 2017

Noah'sArk Distortion "M"

Not much info around of this japanese "Marshall in a box" type distortion. It does sound pretty good though.. Junko seems a bit nervous on the demo.


Thursday, 18 May 2017

Catalinbread Katzenkönig

Damn i like this brand. Cool, great sounding designs and lots of them. And i was surprised the schematic was up at their site. I only have a few originals, but i'm strongly tempted to get more..

Info from Catalinbread:
We combined the best elements of a Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion. It loves humbuckers and single coils. It loves your cranked amp and your super-clean amp.

Katzenkönig was tuned to offer a huge range of response – from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem.
A simple, four-knob control scheme allows you to dial in your sound quickly and without much fuss:
INPUT – Controls the input sensitivity. Turn it down when using higher output pickups and humbuckers or to dial in your wah sound (more on that later). Turn it up for lower output pickups or for when you want to go over-the-top!
GAIN – Controls the gain of the second gain stage. It is not a conventional gain control, rather, it controls the amount of negative feedback in that stage. What does that mean for you? It means you get a wide ranging gain control that sounds great throughout it’s entire rotation!
FILTER – Allows you to dial in your final tone from smooth and creamy all the way to bright and cutting. You can quickly find the sweet spot for your rig with this control. If you are familiar with the Filter control on a Rat then what you’ll find is that this is an even better version of that idea!
VOLUME – Standard volume control. You’ll find that Katzenkönig sounds great turned down quiet or cranked up and loud!

To get familiar with your new Katzenkönig, let’s begin by plugging it straight into your amp set to a clean sound with no other pedals in the chain.
Set the controls as follows: Volume – noon, Filter – noon, Gain – minimum, Input – minimum.
Now play a bit to get a feel for how it responds. Go ahead and mess with the Filter knob to see how it works. You’ll notice that unlike most fuzz and distortion pedals, Katzenkönig sounds great at minimum gain settings.
Now go ahead and start experimenting with the Gain and Input controls. You’ll notice that they both increase gain but in different ways. Leave one at minimum and start turning the other up. Then leave the other at minimum and turn the other one up. And yes, cranking them both up leads to extreme fuzz, sustain, and saturation!
At lower Gain and Input settings, Katzenkönig’s response is tight, like a great distortion pedal. You can play chugging, palm-muted riffs that you wouldn’t be able to get away with on a standard fuzz pedal. But turn up the Gain and Input, and you can get those epic harmonic blooms that you normally associate with a great fuzz pedal!

 


Monday, 15 May 2017

Friedman BE-OD

"Designed by tone-guru-to-the-stars David Friedman, the BE-OD overdrive pedal faithfully captures the sonic impact of Friedman’s legendary BE-100 amplifier–known in some circles as the Brown Eye, and favored by serious musicians the world over.
The BE-OD overdrive delivers authentic tube amplifier sound from a compact pedal with the controls needed to shape your tone, including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken-up overdrives to straight-up gain nirvana"
Original FSB thread and schematic available here.


Saturday, 13 May 2017

J. D. Barbato Buttercup Fuzz

Description and info at freestompboxes. Seemed like a nice vintage fuzz adaptation and thus, a cool addition to our library.


Wednesday, 10 May 2017

Black Arts Toneworks Revelation Super Lead

From the source:

A revelation. Stripped down all out amp pusher. The Revelation has a trio of controls. Pre Gain, Gain, and Volume. LOTS of volume. Pre Gain sets the overall gain level of the device, the gain control dials in the correct amount of distortion and the volume knob absolutely slays the front end of your amp. Think of the Revelation as an extension of your amp’s pre section. Use it to push your amp into super creamy saturation, use it to boost your riffs into full and thick exaggerations of your amp’s base tone. The Revelation does not alter your tone, just makes MORE of it. Choose the Revelation to hammer your amp.

The SuperLead version of the Revelation is a rawer, more aggressive take on the circuit. A bit gnarlier, mid focused, aggressive sound. Specifically tuned for guitar, and baritone guitars, choose the SuperLead for a fuller, fatter, more saturated and aggressive sound.

While there is no schematic for this one I did some comparison between the Black Arts Toneworks Revelation Super Bass and the Pharaoh, and what I noticed is that the values are identical, with the tone control removed. This leads me to be fairly certain that the Black Arts Toneworks Revelation Super Lead is the same concept, but with the values for the LSTR, since the tonal description matches that of the comparisons between the Pharaoh and LSTR. So I figured since I had the layout out to modify it to match the Oath (Black Arts Toneworks Revelation Super Bass without pots) I might as well take the time to change it over to the Black Arts Toneworks Revelation Super Lead as well.

So it's a striped down LSTR without the tonestack.