Info from Catalinbread:
We combined the best elements of a Tone Bender MkII fuzz
with a Rat distortion to create something that sings like a fuzz but is
tight like a distortion. It loves humbuckers and single coils. It loves
your cranked amp and your super-clean amp.
Katzenkönig was tuned to offer a huge range of response – from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem.
A simple, four-knob control scheme allows you to dial in your sound quickly and without much fuss:
INPUT – Controls the input sensitivity. Turn it down when using higher output pickups and humbuckers or to dial in your wah sound (more on that later). Turn it up for lower output pickups or for when you want to go over-the-top!
GAIN – Controls the gain of the second gain stage. It is not a conventional gain control, rather, it controls the amount of negative feedback in that stage. What does that mean for you? It means you get a wide ranging gain control that sounds great throughout it’s entire rotation!
FILTER – Allows you to dial in your final tone from smooth and creamy all the way to bright and cutting. You can quickly find the sweet spot for your rig with this control. If you are familiar with the Filter control on a Rat then what you’ll find is that this is an even better version of that idea!
VOLUME – Standard volume control. You’ll find that Katzenkönig sounds great turned down quiet or cranked up and loud!
To get familiar with your new Katzenkönig, let’s begin by plugging it straight into your amp set to a clean sound with no other pedals in the chain.
Set the controls as follows: Volume – noon, Filter – noon, Gain – minimum, Input – minimum.
Now play a bit to get a feel for how it responds. Go ahead and mess with the Filter knob to see how it works. You’ll notice that unlike most fuzz and distortion pedals, Katzenkönig sounds great at minimum gain settings.
Now go ahead and start experimenting with the Gain and Input controls. You’ll notice that they both increase gain but in different ways. Leave one at minimum and start turning the other up. Then leave the other at minimum and turn the other one up. And yes, cranking them both up leads to extreme fuzz, sustain, and saturation!
At lower Gain and Input settings, Katzenkönig’s response is tight, like a great distortion pedal. You can play chugging, palm-muted riffs that you wouldn’t be able to get away with on a standard fuzz pedal. But turn up the Gain and Input, and you can get those epic harmonic blooms that you normally associate with a great fuzz pedal!
Katzenkönig was tuned to offer a huge range of response – from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem.
A simple, four-knob control scheme allows you to dial in your sound quickly and without much fuss:
INPUT – Controls the input sensitivity. Turn it down when using higher output pickups and humbuckers or to dial in your wah sound (more on that later). Turn it up for lower output pickups or for when you want to go over-the-top!
GAIN – Controls the gain of the second gain stage. It is not a conventional gain control, rather, it controls the amount of negative feedback in that stage. What does that mean for you? It means you get a wide ranging gain control that sounds great throughout it’s entire rotation!
FILTER – Allows you to dial in your final tone from smooth and creamy all the way to bright and cutting. You can quickly find the sweet spot for your rig with this control. If you are familiar with the Filter control on a Rat then what you’ll find is that this is an even better version of that idea!
VOLUME – Standard volume control. You’ll find that Katzenkönig sounds great turned down quiet or cranked up and loud!
To get familiar with your new Katzenkönig, let’s begin by plugging it straight into your amp set to a clean sound with no other pedals in the chain.
Set the controls as follows: Volume – noon, Filter – noon, Gain – minimum, Input – minimum.
Now play a bit to get a feel for how it responds. Go ahead and mess with the Filter knob to see how it works. You’ll notice that unlike most fuzz and distortion pedals, Katzenkönig sounds great at minimum gain settings.
Now go ahead and start experimenting with the Gain and Input controls. You’ll notice that they both increase gain but in different ways. Leave one at minimum and start turning the other up. Then leave the other at minimum and turn the other one up. And yes, cranking them both up leads to extreme fuzz, sustain, and saturation!
At lower Gain and Input settings, Katzenkönig’s response is tight, like a great distortion pedal. You can play chugging, palm-muted riffs that you wouldn’t be able to get away with on a standard fuzz pedal. But turn up the Gain and Input, and you can get those epic harmonic blooms that you normally associate with a great fuzz pedal!
Yes! Thank you, I found a perf layout for this that I was going to try eventually, but I much prefer stripboard. Definitely going to try sometime, hopefully soon!
ReplyDeleteive done the perf from guitar pcb whichever one is linked to Dexter and its a good one. this is like an awesome tonebender. I own 2 CB pedals and am happy with them. one is the belle epoch + good quality pedals
DeleteThis will be my next build, before the BE-OD, thanks Miro
ReplyDeleteHey man should 'To circuit' be (jack) input? Thanks for the layout.
ReplyDeleteI believe that it is labelled that way only because "Input" was taken for the "Input" (Sensitivity) Pot
DeleteUnderstood. Thanks man.
DeleteVerified! Had a spare hour. Sounds just like the original. Used 5088s. Thanks for the layout Miro.
ReplyDeleteCheers! Tagged!
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Built too, sounds great. Thanks to the dream team.
ReplyDeleteBuilt and sounding good over here as well. Mine seems to be a little shy of unity with the volume full up, anyone else experience the same?
ReplyDeleteIve had problems with level before too and it was usually a wrong component value andthere is 1 1nf and 1 1uf close together. If thats not the case check your solder joints and knife the strips.
DeleteOne could try tweakin the values for 2K2 and 3K9 coming from Q3 collector. Bias with ones transistors might be slightly off and that could cause lowish output level.
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Layout shows a 1uf cap. Is that correct? pic looks like a mylar but what about polarity? Ive got a 1uf electrolytic
ReplyDeleteor is it ceramic?
ReplyDeleteok tayda doesnt have the 1uf cap in mylar but has it in a box type, i guess ill use that, unless I can use a 1uf electrolytic. Any help?
ReplyDeleteYou can definitely use box types there.
DeleteGreat layout, Miro! Really compact and tidy, thanks a lot!!
ReplyDeleteOne correction : the gain control is in reverse (notice that it's a feedback control), lugs 1 and 2 should be used instead of 2 and 3. Bonus, better resolution in lower gains where you need it the most :)
While you re there, I suggest doing the same for the filter control to get better resolution in the high end. Of course it will now cut treble as you move CW, but I much prefer it this way (a la rat!)
I also used BC550b transistors, 2n5088s was too much gain for me but I only tried those before reversing the controls so it was really just a couple of minutes of testing, I put the bc550B's (gain around 300) and it sounds fine!
Thanks a million again!!
Thanks. I'll check the gain control labels once i'm back home.
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Fixed.
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Thanks!!
DeleteThanks for the layout Miro! I used BC500's in mine and it sounds great. I put a MP38A in the top left spot just to see what happens and it sounds kinda cool, I might leave it in there.
ReplyDeleteOK I dont get it, I see the Tonebenders gain stages but I dont see anything that has to do with the RAT's gain stages. I am trying to familiarize myself with the inner workings of distortion pedals and I dont understand this one's anatomy.
ReplyDeleteHard clipping diodes shunt to ground. As in OD250, Dist+ and a Rat. Also the Filter control is straight out of a Rat.
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I built one since I seem to be on a Tonebender-bender. Sounds good, quite easy to get usable sounds, but there is some hiss, which apparetly is present in the original as well. I'll have to settle on which transistors to use first, but this will definitely get boxed up! Maybe some lower gain ones than the suggested 5088s could work better here.
ReplyDeleteI was playing around with the circuit today and swapped my original transistors (around 500 hFE) to lower gain ones (around 300 hFE). Sounds much better now, with more response to the gain and input controls. I'd also suggest socketing the diodes and trying out different ones. Ge's sound pretty good as well as LEDs (nice and growly), but for now I think I'll use either 1n914s or 4001s.
DeleteReally curious for this one, will build it for sure! Thanks!
ReplyDeleteIs it maybe possible to add Catalinbread as a tag for future reference?
Thought i had it there but didn't. Thanks for noticing. Added.
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I built it this week-end an I'm kinda disapointed: it's sounds great as a fat fuzz, but tweaking the controls (which seem to work as they should) I can't get a distortion sound it never gets tight. It's really that duality I was expecting with this pedal
ReplyDeleteI built it as per the layout, any thoughts ? Thanks
Do the unused terminals on the filter, gain and input pots stay unconnected?
ReplyDeletei hate to be that guy, but check the notes. if there's no mention of a lug being used, or it's not shown connected in the layout itself then it's not connected to anything. just follow the layout.
DeleteActually that's not that stupid question from a newcomer. I do recall asking this once myself in 2010.
DeleteBut yeah. No mention of connection means that those are left unconnected.
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As a noob was searching for answers why my circuit was dead on arrival. Thought maybe the pots needed rounding. Turns out one of
Deletemy cuts left a sliver of copper leaving a bridge. Up and running now.
What an amazing pedal!!! Just drips molten harmonics.
Is D3 just used for polarity protection?
ReplyDeleteYes.
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disappointed with BC550 sounds weak, witth 5088 sounds better but is a fat fuzz not even light distortion, sounds undefined, chords sounds good but siple notes just sounds terrible, I made it sounds acceptable with tube amp.
ReplyDeletehow to get filter knob more trebly is to fat sound or to bassy, which mod can I do mo get a littel more treble?
ReplyDeleteCheck the schematic and figure out how the filter control works.
Deletehttp://www.catalinbread.com/KatzenkonigManual.pdf
Then modding it your needs is easy.
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I made a mistake and after 1 week of fighting against schematics I realised that I put 1uf instead of 1nf on input to ground, so I made the change and now is a killing pedal!
Deletethanks!
I will try to low 220nf as rat reference but how to get more compress and tight distortion?
ReplyDeleteHi Claudio, you can try lowering the input cap, try values between 10nf and 47nF.
DeleteHope this helps, good luck!
Thanks the problem was a bad value cap. Nos is working perfect
DeleteCouple of noob questions here:
ReplyDelete-Is that blue dot in the center where those two wires are soldered? I see that it's linking to the strip that's attached to the Ground, so it makes sense, just thought I'd double check.
-The wire coming off of the left side labled "To circuit." What does that mean and where is it connected to?
Hi. And welcome.
DeleteYou're correct abut the "double link". Both links connect to a single hole/strip.
In this case, i used "to circuit" instead of normal "input" label, due to a control that's named "input". So that is basically "the input" - where you take the wire from bypass switch to circuit input. Sometimes avoiding confusion can lead to more confusion :)
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Thanks a ton! Gonna try this out soon :)
Deletecan i use 1uf bipolar caps? i only have that one in stock. 1uf/50v.
ReplyDeleteSure. Why not.
DeleteYou could also get away with polarised for 1µ caps. Negative to ground and negative to volume 3.
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Thanks Miro :)
DeleteAnd thanks for the layout to.
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I get a ton of noise when i turn up the filter, anybody have that problem? guess ill try turning down the input as im using humbuckers
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ReplyDeletehello, you're missing a 10nf cap to ground at the input of the circuit
ReplyDeletehttps://www.catalinbread.com/manuals/KatzenkonigManual.pdf
I meat at begining of the 9v rail
DeleteI bulit this one, but the sound was gated. I used four 2n3904. Can anyone help?
ReplyDeleteI built this pedal, it seems to be (almost) working. I have 2 problems:
ReplyDelete1-Gain works only after 8/10. It's also counterclockwise unless I use pins 2 and 3. Before that no output.
2-Filter decreases the volume sligthly.
What could be causing the problem with gain? Also is the second one expected behavior? Thanks
Tip: Use C100k pot for the filter. It makes the sweep much easier to dial in. Also, LED's for the clipping diodes sounds great.
ReplyDeleteUsed 4x 2n3904, I like it much better then the 2n5088 (to gainy/fizzy). It's more dynamic now but it still doesn't sound exactly like the original when I listen to it on youtube.
ReplyDelete